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The BF Artist Film Festival is a nomadic project partnering with different artist-led spaces around the UK, offering multiple and varied screening opportunities to selected artists while engaging new audiences around the country.

Positioned at the intersections of the club scene, digital culture, art, music and performance, The Lab F champions experimental arts within square feet of industrial multipurpose space, including an auditorium, state of the art AV rig, and high definition LED wall.

Art Licks launched in and has since grown to provide an essential platform and voice for the lesser-known and under-represented activities that form the grassroots of visual culture in London.

For its seventh year, the Art Licks Weekend takes on the theme of Interdependence: considering how participating projects work within a network of friendship, exchange and shared dialogue.

In line with this theme The BF Artist Film Festival will be collaborating with a new partner to premiere the tenth screening.

There are no restrictions on date or theme. Videos under 6 minutes are preferred but videos of up to 10 minutes will be considered.

Positioned at the intersections of the club scene, digital culture, art, music and performance, the Lab F champions experimental arts within square feet of industrial multipurpose space, including an auditorium, state of the art AV rig, and high definition LED wall.

Deadline for entries is midnight Monday September 30th. BF Artist Film Festival open calls are always unthemed and act as an effective way of reading the political and social concerns explored by artists working today.

Certain ideas, tropes and sentiments emerge during the selection process. Our ninth programme is dominated by a sense of isolation, a lack of direction and the desire to reach out and make contact.

I was reminded of Deleuze and the concept of the Body Without Organs - referring to the deeper reality underlying the well-formed whole. Our artists seem to be exploring this idea, with recurring motifs - sea creatures, pot plants, cyborgs and museum artefacts - uncommunicative bodies with bubbling underlying potential.

Pixelache is a festival for electronic art and subcultures in Helsinki, Finland. Pixelache presents projects experimenting with media and technology from a broad range of disciplines: artists, engineers, designers, researchers and architects.

The festival concept is based on the imagined wall separating the audiences from the actors. Here, the curatorial team uses it to describe a fictitious wall that we, as a society have created and hidden behind, a wall made from technology, social media and what looks like connectivity.

The premise of the festival plays with notions of reality and society today, which give us less and less physical connections and time to think while putting emphasis on digital interactions - the festival is a means to overturn that.

The festival is open to national and international artists at any stage of their career. The programme was selected via an open call from current east bristol contemporary members.

Tibbs find Sophie on the windowsill. She introduces them to the BFG, explaining that the child-eating giants are real and must be stopped.

The BFG plans to ambush the man-eating giants with a nightmare, but has forgotten his dream-trumpet. Sophie carries the nightmare herself into the midst of the giants, and is confronted by the Fleshlumpeater.

She releases the nightmare which consumes the giants with guilt, except the unregretful Fleshlumpeater, and they are ensnared by military helicopters.

Sophie comes to live in the Queen's palace, and awakens from a dream of the BFG, who returns to his life Giant Country and writes the story of their adventure.

She speaks to him whenever she feels lonely; at his home, the BFG hears her words and smiles. And it was clunky. It was strangely not working.

It was harder than it looks even for Robin. It didn't quite deliver. In September , DreamWorks acquired the film rights to the book; Kennedy and Marshall were announced to produce, with screenwriter Melissa Mathison adapting the story.

We are honoured that the Roald Dahl estate has entrusted us with this classic story. Mark Rylance was cast in the film's title role in October I am excited and thrilled that Mark will be making this journey with us to Giant Country.

Everything about his career so far is about making the courageous choice and I'm honoured he has chosen The BFG as his next big screen performance.

She had to learn six pages of dialogue in preparation for a possible role as the orphan Sophie. Principal photography on the film began on March 23, , in Vancouver [18] [41] and concluded on June 12, John Williams composed and conducted the film's musical score, marking the twenty-seventh collaboration between Spielberg and Williams.

Disney released a teaser trailer on December 9, The film debuted in third of the home media sales chart for the week ending on December 2, However, it also pointed out that the July 4th weekend proves to be a non-leggy release schedule and most films released during this time end up making only twice their holiday total over the course of their domestic theatrical run.

Due to the film's poor performance in North America, the film was considered a box office disappointment. In China, the release was handled by Huaxia Film Distribution.

While it benefitted from a robust marketing effort including Spielberg's presence in the country itself, it suffered from a three month long delay after its North American release.

The BFG is one of the lowest-grossing films of Spielberg's career, specifically in North America, when accounting for inflation and one of the year's biggest flops, but The Hollywood Reporter noted that Disney would be able to withstand the losses due to the success of Captain America: Civil War and Finding Dory.

The site's critical consensus reads, " The BFG minimizes the darker elements of Roald Dahl's classic in favor of a resolutely good-natured, visually stunning, and largely successful family-friendly adventure.

Justin Chang of Los Angeles Times called Rylance's performance a "brilliant amalgam of performance-capture technology and peerless screen presence.

Seitz remarks, "I can imagine some adults finding the movie dull; 'Nothing happens', they'll say. Scott of The New York Times praised the film's digital effects and visual style as "exquisite", though he felt that the film lacked the excitement found in Spielberg's previous fantasy films.

Richard Brody of The New Yorker stating that it "plays like a forced march of fun, a mandatory strain of magic and a prescribed dose of poetry, like a movie ready-made for screening in classrooms when a teacher is absent.

Giving The BFG one star out of five, he criticized its "creepy style of animation [and] dragging tempo". From Wikipedia, the free encyclopedia.

Theatrical release poster. Release date. Running time. John Williams. Screen Daily. Retrieved June 16, The Hollywood Reporter.

Retrieved April 14, Retrieved June 27, British Board of Film Classification. June 17, Retrieved June 18, European Audiovisual Observatory.

Retrieved September 12, British Film Institute. Retrieved June 24, Box Office Mojo. Retrieved January 14, Retrieved June 23, Retrieved July 18, Retrieved July 10, Deadline Hollywood.

Retrieved October 28, December 16, Retrieved December 17, Retrieved April 13, Entertainment Weekly. Retrieved March 6, Retrieved March 31, Retrieved March 18, The Independent.

Retrieved April 19, Retrieved July 8, September 24, Retrieved September 27, Retrieved September 21, BBC News. Time Inc.

Retrieved June 25, Retrieved October 4, Retrieved December 11, Retrieved July 9, USA Today. The Guardian. Archived from the original on October 28, Archived from the original on February 6, Retrieved February 7, Coventry Telegraph.

Retrieved November 18, March 23, Archived from the original on April 4, Retrieved March 23, Retrieved October 16, Los Angeles Times.

Retrieved July 11, The Walt Disney Studios. Retrieved December 8, PR Newswire Press release. Burbank, California: Walt Disney Records.

June 29, Retrieved July 2, Smith Shingle to the Summit". Retrieved February 15, Retrieved April 6, May 16, Retrieved June 6, Release With eOne".

July 11, Retrieved July 12,

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